Pierre Huyghe - L’Expédition Scintillante, Act 2 (2002)
De Rotterdam by OMA - Office of Metropolitan Architecture.
The Office for Metropolitan Architecture (OMA) today marked the completion the largest building in the Netherlands, the De Rotterdam, a mixed-use, 160,000m2 slab-tower conceived as a ‘vertical city’ on the river Maas.
“Efficiency has been a central design parameter from day one.” says OMA partner Ellen van Loon. “The extreme market forces at play throughout the course of the project, far from being a design constraint, have in fact reinforced our original concept. The result is a dense, vibrant building for the city.” The building is named after one of the original ships of the Holland America Line, which from 1873 to the late 1970s transported thousands of emigrating Europeans bound for New York from the Wilhelmina Pier, next to which De Rotterdam is situated.
The three stacked and interconnecting towers of De Rotterdam rise 44 floors to a height of 150 meters and span a width of more than 100 meters. “Nevertheless, the building is exceptionally compact, with a mix of programs organized into distinct but overlapping blocks of commercial office space, residential apartments, hotel and conference facilities, restaurants and cafes.” says OMA.
Office employees, residents and hotel guests are brought together in conference, sport and restaurant facilities. The building’s shared plinth is the location of the lobbies to each of the towers, creating a pedestrianized public hub by means of a common hall. “Despite its scale and apparent solidity, the building’s shifted blocks create a constantly changing appearance, different from every part of the city. The fact that it stands today represents a small triumph of persistence for the city, the developer, the contractor and the architects.” says OMA founder and partner Rem Koolhaas.
The various phases of design and construction were supervised by partners-in-charge Rem Koolhaas, Ellen van Loon and Reinier de Graaf, and associate-in-charge Kees van Casteren.
Project: A mixed-use vertical city
Status: Commission 1997, groundbreaking December 2009, completion November 2013
Clients: De Rotterdam CV, The Hague (Joint venture MAB, The Hague / OVG, Rotterdam)
Location: Rotterdam, Netherlands
Site: Former harbour waterfront between KPN tower and Cruise Terminal at Kop van Zuid
Program: Total 162,000m2: offices 72,000m2; 240 apartments 34,5000m2; hotel (278 rooms) / congress / restaurant 19,000m2; retail / F&B 1,000m2; leisure 4,500m2; parking (approx. 650 vehicles) 31,000m2
Photography by Charlie Koolhaas
Absolutely amazing polymer clay journals by © Anna Kolesnikova (Mandarin Duck). Take a look at her portfolio, it’s really something.
You can look around in her Etsy shop here.
Also she has a very cool YouTube channel filled with tutorials and all kinds of crafty videos.
Become a fan of her on Facebook here.
Do Ho Suh born 1962 Seoul, Korea is a sculptor and installation artist,
currently lives and works in London, New York and Seoul. Suh originally studied oriental painting in Seoul National University before moving to the United States in his late 20s to study painting and sculpture in Rhode Island School of Design and Yale University. Since the mid-1990s, Suh has questioned the conventional notion of personal space and explored the variable dimension and mobility of this idea in both its physical and metaphorical manifestations.
Suh’s full-scale “homes” of semitransparent cloth, including the traditional Korean house (hanok) of his childhood and his apartment in New York, explore basic human values and overarching themes of home, family, tradition and origination. Through these works he examines the place where one spends life’s moments and how that space consequently nurtures one’s identity. By recreating personal structures into something easily movable and detachable, Suh questions the boundaries between public and private space, between a faraway birthplace and a current abode, and between the land of memories and actual places.
All images courtesy of the Lehmann Maupin Gallery
We’re Unknown Editors.